A real leader was missing – and, some would say, still is. Milla tried to hold the people's and the media's attention with actions that proved more divisive than inspiring. For the October 23 protest, a song called "
Nem Tetszik a Rendszer" (or, “I Don't Like the System”) was released. The song features all the classic clichés and banal laments of young, urban liberals like
"I don't like that I feel crappy in my own country",
"I don't like that the poor have to pay for everything",
"I don't like that my friends and relatives will soon emigrate", and so on. In early 2012, Milla organized an "alternative presidential campaign" in which different personalities in and around the young opposition movement
competed for the "presidency" of the Republic of Hungary.
It seemed like a good idea at the time, perhaps, but the campaign devolved into
something of a fiasco. One of the two finalists was Dopeman, a so-called gangsta
rapper and harsh critic of Hungary’s conservative government. The other finalist was a rather ambiguous radical, left-wing philosopher. When it became clear that the other candidate would emerge the winner, the organizers came up with some new rules to prevent it, marring the credibility of the election and prompting charges of fraud as Dopeman ultimately became the "alternative president".
Then there's the figure of Dopeman himself and his, well, artistic work. Here is a
sample from his "A strici visszatér" (The Pimp returns) album:
"When I see a good p****, I lose my mind and I have to get it / It's OK if I get it for free but no problem if I have to pay for it." Or,
"I am not the dream of the family guys, after the daughter her mother is next / You think it's disgusting if we f*** an underage? But if she bleeds then she can f*** too". How a musician known for foul-mouthed, sexist lyrics like these could be the face of a movement that purports to stand for tolerance, human rights and dignity is something of a wonder.
But that wasn’t all. Milla’s most baffling action was a protest against a controversial documentary film about the conflicts between Roma and non-Roma people in Hungary. The film depicts some of these conflicts in ways that the liberal mainstream did not appreciate. The documentary was broadcast on public media but was pulled down after Milla’s protest. The organization, which again purports to stand for freedom of the media,
applauded with delight public media’s decision to pull the film. They stated that they hope that such documentaries will not be screened in the media in the future. "Milla has no problem with censorship, only when it is not them who compile the list of media that should be censored”
wrote Mandiner’s own deputy editor-in-chief, Ákos Balogh, earlier this year.
These anecdotes illustrate how Milla has struggled to find effective ways to get their message across – or, whether they really have a message at all. The lack of a genuine leader, the immaturity of the organization, and its lack of strategy have all weakened the movement, which could have otherwise spent the last two years growing and gaining momentum.